Vitra Design Museum + Schaudepot17,00 € / 15,00 €*Vitra Design Museum 11,00 € / 9,00 €*Schaudepot8,00 € / 6,00 €*Architecture tour 2h14,00 € / 10,00 €* Guided tours 1h (Exhibition tour, Production tour or Behind the Scenes)7,00 € / 5,00 €**Reduced prices: young people from age 12, students, seniors,disabled persons, groups of more than 10 people, combination of 3 and more tickets/person, children under 12 years of age free
Vitra Design MuseumCharles-Eames-Str. 2D-79576 Weil am RheinT +49.7621.702.3200F +firstname.lastname@example.org
Daily 10 am – 6 pm,24 December 10 am – 2 pm. The museum is open on Sundays and on all public holidays.
30.09.2017 – 25.02.2018Vitra Design MuseumDetails
09.09.2017 – 11.02.2018GalleryDetails
14.07. – 24.09.2017SchaudepotDetails
21.06. – 01.10.2017Austrian Museum of Applied Arts / Contemporary Art, ViennaAustria
16.06. – 08.10.17Cranbrook Art Museum, Bloomfield HillsUSA
11.05. – 24.09.2017Ateneum, Finnish National GalleryFinland
The collection of the Vitra Design Museum ranks among the most important holdings of furniture design worldwide. It contains some 7000 pieces of furniture, a vast assemblage of lighting objects and numerous archives, as well as the estates of such designers as Charles & Ray Eames, Verner Panton and Alexander Girard. On 4 June 2016 the Vitra Schaudepot was opened, created by the architectural firm Herzog & de Meuron, in which the Vitra Design Museum presents key pieces of its collection.
Guided tours through the Vitra Schaudepot:Highlights from the CollectionEvery Friday to Sunday2 pmBehind the Scenes12.05., 09.06., 14.07., 11.08., 08.09.2017 3 pm
Vitra Design Museum + Schaudepot17,00 € / 15,00 €*
Vitra Design Museum 11,00 € / 9,00 €*
Schaudepot8,00 € / 6,00 €*
Architekturführung 2h14,00 / 10,00€*
Führungen 1h (Ausstellung, Produktion oder Blick hinter die Kulissen)7,00 € / 5,00 €*
*Ermäßigungen: Jugendliche ab 12, Studenten, Senioren, Menschen mit Behinderung, Gruppen ab 10 Personen, Kombination von 3 und mehr Tickets/Person, Kinder bis 12 frei
Täglich: 10 – 18 Uhr,am 24.12. 10 – 14 Uhr.Das Museum ist an allen Sonn- und Feiertagen geöffnet.
Vitra Design Museum Gallery
From 1968 to 1972, the chemical corporation Bayer rented an excursion boat that was transformed by well-known designers into a temporary exhibition space on the subject of contemporary living. Held during the Cologne Furniture Fair, the forum was used to present the latest developments in interior textiles, whereby a balanced relationship was sought between representing various products and presenting several furniture and textile makers. By collaborating with prominent contemporary designers, the intention was to complement the technical possibilities and practical uses of Bayer’s artificial fibers with aesthetic and artistic aspects – with the designer serving as a link between manufacturer and final consumer. Thanks to Verner Panton (»Visiona 0«, 1968 and »Visiona 2«, 1970), Joe Colombo (»Visiona 1«, 1969) and Olivier Mourgue (»Visiona 3«, 1971), the »Visiona« exhibitions are still today considered exemplary for the avant-garde living concepts of the late 1960s and early 1970s. They offered designers a platform for presenting new, revolutionary ideas, promoted public debate and the cultural importance of residential living, and provided the industry with new inspiration. Verner Panton’s interest in new materials and his experience in the realm of textiles formed the ideal foundation for his pioneering designs of »Visiona 0« (1968) and »Visiona 2« (1970). He created dreamlike spaces and space-like dreams in unusual shapes and colors that stretched across the entire interior of the boat. While »Visiona 0« could be described as a departure from traditional styles of living, »Visiona 2« was entirely focused on the question of living in the world of tomorrow. It broke the traditional understanding of space with its clear ascription of functions, instead creating surroundings that were dedicated to well being, communication, and relaxation. For this, Panton designed numerous design objects, including furniture, textiles, lighting, wall and ceiling coverings that formed in highly imaginative arrangements a series of very different spaces. As an integrative component, he developed both a lighting concept and atmospheric sounds for the individual spaces, like the song of a nightingale, the cry of an owl, bee humming, cat howls, or waves. The Phantasy Landscape (also called »living cave«) on the main deck of the »Loreley« – generally remembered as the most impressive space of »Visiona 2« – can be considered the climax of Panton’screative vision. This room discarded all traditional notions of architecture: the floors, walls, ceilings, and furniture seemed to be created from a single cast. The windowless space lacked any connection to the outside world and presented itself as an organic landscape, characterised by dynamic curved shapes that seemed as though they were cut out of the material itself. The elements in various shades of blue and red were like a multiplication of his famous Living Towers placed after one another: the blue shades on the outside, the red shades increasingly becoming brighter on the inside, so that the psychedelic arrangement appeared to glow from within. While the designs of Panton’s contemporaries often evoked associations with outer space, Panton’s livable sculpture with its warm colors and soft textiles sought to bring the interior life of the human being to an outer form.