Vitra Design Museum + Schaudepot17,00 € / 15,00 €*Vitra Design Museum 11,00 € / 9,00 €*Schaudepot8,00 € / 6,00 €*Architecture tour 2h14,00 € / 10,00 €* Guided tours 1h (Exhibition tour, Production tour or Behind the Scenes)7,00 € / 5,00 €**Reduced prices: young people from age 12, students, seniors,disabled persons, groups of more than 10 people, combination of 3 and more tickets/person, children under 12 years of age free
Vitra Design MuseumCharles-Eames-Str. 2D-79576 Weil am RheinT +49.7621.702.3200F +firstname.lastname@example.org
Daily 10 am – 6 pm,24 December 10 am – 2 pm. The museum is open on Sundays and on all public holidays.
17.03. – 09.09.2018Museum
24.02. – 05.08.2018Gallery
02.03. – 03.06.2018Schaudepot
26.10.2017 – 14.04.2018Design Museum GentBelgium
22.12.2017 – 04.03.2018Hangaram Art Museum, SeoulKorea
14.10.2017 – 07.01.2018High Museum of Art, AtlantaUSA
The collection of the Vitra Design Museum ranks among the most important holdings of furniture design worldwide. It contains some 7000 pieces of furniture, a vast assemblage of lighting objects and numerous archives, as well as the estates of such designers as Charles & Ray Eames, Verner Panton and Alexander Girard. On 4 June 2016 the Vitra Schaudepot was opened, created by the architectural firm Herzog & de Meuron, in which the Vitra Design Museum presents key pieces of its collection.
Guided tours through the Vitra Schaudepot:Highlights from the CollectionEvery Friday to Sunday2 pmBehind the Scenes3 pm
Vitra Design Museum + Schaudepot17,00 € / 15,00 €*
Vitra Design Museum 11,00 € / 9,00 €*
Schaudepot8,00 € / 6,00 €*
Architekturführung 2h14,00 / 10,00€*
Führungen 1h (Ausstellung, Produktion oder Blick hinter die Kulissen)7,00 € / 5,00 €*
*Ermäßigungen: Jugendliche ab 12, Studenten, Senioren, Menschen mit Behinderung, Gruppen ab 10 Personen, Kombination von 3 und mehr Tickets/Person, Kinder bis 12 frei
Täglich: 10 – 18 Uhr,am 24.12. 10 – 14 Uhr.Das Museum ist an allen Sonn- und Feiertagen geöffnet.
In his widely acclaimed photographs, Dutch artist Bas Princen portrays architecture and urban landscapes. His current works examine the unique features and details of architecture from across the centuries and the role that images have always played in it. His experiments with photography and architecture intermingle the characteristics of these media and blur the boundaries between them. Thus the large-scale close-ups in the exhibition »Image and Architecture« represent architecture while themselves becoming architectural objects. The motifs vary from Renaissance tapestries and nineteenth-century steel constructions to buildings by Le Corbusier. A special technique of printing and framing lends these pictures a spatial and material presence that extends far beyond the traditional understanding of photographic images.
A leading protagonist of Danish modernism, Hans J. Wegner (1914–2007) made himself a name with furniture designs that harmoniously combine rationalist functionalism, a poetic aesthetic, and the Danish tradition of expert joinery. By reinterpreting historical furniture types, Wegner created numerous twentieth-century classics, many of which may be found in the holdings of the Vitra Design Museum. A monographic exhibition in the Schaudepot now shows pieces such as the Wishbone Chair (1950), the Peacock Chair (1948), and the Round Chair (1950) also known simply as »The Chair«. Further artefacts and a number of films offer insights into Wegner’s perfectionist attention to even the smallest details of furniture construction, from ingeniously crafted joints to the properties of different kinds of wood – factors that have contributed to the cult status of Wegner’s furnishings in the resurgence of Scandinavian design.
Nightclubs and discothèques are hotbeds of contemporary culture. Since the 20th century, they have been centres of the avant-garde that question the established codes of social life and experiment with different realities, merging interior and furniture design, graphics and art with sound, light, fashion and special effects to create a modern Gesamtkunstwerk. »Night Fever. Designing Club Culture 1960 – Today« is the first exhibition to give a comprehensive overview of the design history of the nightclub, examining its cultural context. Examples range from Italian clubs of the 1960s created by the protagonists of Radical Design to the legendary Studio 54 where Andy Warhol was a regular, from the Palladium in New York designed by Arata Isozaki to more recent concepts by the OMA architecture studio for the Ministry of Sound in London. Featuring films and vintage photographs, posters, flyers and fashion, the exhibition incorporates music, light and spatial installations to take visitors on a fascinating journey through a world of glamour and subcultures – always in search of the night that never ends.
Opening: 16.03.2018, 6 pm
Welcome to the history of furniture design! The Vitra Design Museum’s collection is one of the most significant design collections worldwide. It holds around 20,000 objects, including 7,000 pieces of furniture, over 1,000 lights as well as archives and estates of designers such as Charles and Ray Eames, Verner Panton and Alexander Girard. The Schaudepot makes this precious collection accessible to the public. Over 400 key pieces of furniture design from 1800 to the present day are on display on the ground floor of the main hall. Smaller temporary exhibitions present collectionrelated themes. Details on the items on show can be found in the digital catalogue. The basement provides a look at selected collection highlights such as the estate of Charles and Ray Eames. There you will also find the Schaudepot Lab, where you can learn more about materials, processes and prototypes. As a »transparent design museum«, the Schaudepot provides a comprehensive insight into the history of modern furniture. More
Visitors can experience the Black Box exclusively as part of a public guided tour. Registration: info(at)design-museum.de, max. 10 participants.The Vitra Campus has a new exhibition space: in one of the houses at the southern entrance, a Black Box has been installed which holds the collection of international toy robots belonging to Vitra Chairman Emeritus Rolf Fehlbaum. The presentation encompasses robots and figures of astronauts from the years 1937 to 1968. Many of them bear witness to the technological optimism of an age, when robotics and space travel were still largely fiction. Some of the selected objects are shown with the original packaging, which is often no less spectacular than the artefacts themselves. A number of the robots are seen in motion on video screens, while others are exhibited on turntable displays. The staging of the objects draws the viewer into a dark, minimalist dream world. The exhibition was conceived in collaboration with Fifo Stricker, Rolf Fehlbaum’s friend and fellow collector. Dieter Thiel designed the architecture of the Black Box, and the scenography was developed together with French designer Ronan Bouroullec. More