Based in London, renowned British designer, creative director and educator Ilse Crawford has worked on numerous commercial and residential interior design projects and serves as head of department at the Design Academy Eindhoven. For the exhibition »Home Stories«, we talked to her about her work and her vast experience in the field of interior design.

Many surrealist artists have created ready-mades and other disturbing objects, unsettling our supposedly familiar world. André Breton and Salvador Dali are examples of these surrealists who took an interest in everyday objects.

The architect Balkrishna Doshi is one of the foremost pioneers of modern architecture in his home country. Jolanthe Kugler, curator at the Vitra Design Museum, talked with the 91-year-old architect about the melding of Indian traditions and Western modernism in his buildings, about his revolutionary social housing concepts and his formative years with Le Corbusier in the 1950s.

»Design Is Never Neutral« was one of the Victor J. Papanek’s (1923 – 1998) most important messages. To find out what this means twenty years after the designer’s death, the Vitra Design Museum sat down with one of the curators of the exhibition »Victor Papanek: The Politics of Design«, Professor Alison J. Clarke, Director of the Victor J. Papanek Foundation at the University of Applied Arts Vienna.

Together with his business partner Steve Rubell, Ian Schrager founded Studio 54 in New York City in 1977, whose roster of illustrious guests secured its reputation as the most famous disco of all time. Head curator Jochen Eisenbrand spoke with Ian Schrager, now a successful hotelier and real estate mogul.

Exhibition curator Jolanthe Kugler and director Mateo Kries spoke with Eames Demetrios, grandson of Charles Eames and director of the Eames Office, to get to the heart of Charles and Ray Eameses' working process.

The American sociologist Richard Sennett has studied the topic of urban living and community for over thirty years. In an interview in the context of the exhibition »Together!« he talks about the perils and possibilities of more open, porous forms of urban planning and communal living.

As part of the research for »Hello, Robot.«, curator Thomas Geisler asked Fiona Raby and Anthony Dunne about their take on the relationship between humans and technology.

The architects of the new Schaudepot, Jacques Herzog und Pierre de Meuron, spoke to director Mateo Kries and Rolf Fehlbaum, Chairman Emeritus of Vitra.

The products and installations created by the design studio Raw Edges are characterised by their playful use of colours and patterns. Raw Edges have made a name for themselves through their work for companies such as Kvadrat, Moroso and Louis Vuitton. They also set in scene »Alexander Girard« for the Vitra Design Museum. Shay Alkalay, one of the partners at Raw Edges alongside Yael Mer, spoke to chief curator Jochen Eisenbrand about the actuality of Girard's work.

The Online Collection includes detailed information about selected objects from the collection and will be expanded continuously in the coming years. Here you won’t just find extensive details about each object, but also explanatory text and image materials, biographies of the most important designers as well as texts on the history of significant furniture manufacturers.