17,00 € / 15,00 €Vitra Design Museum 11,00 € / 9,00 €Schaudepot8,00 € / 6,00 €Guided tours 1h (Architecture tour Vitra Campus or Exhibition tour) 7,00 € / 5,00 €Family ticketsVitra Design Museum + Schaudepot: 49 €Vitra Design Museum: 31 €Schaudepot: 22 €2 adults + 1 child, further children free of charge. Children under 12 years of age free.Reduced prices: young people from age 12, students, seniors,disabled persons, groups of more than 10 people, comination of 3 and more tickets/person.
Vitra Design MuseumCharles-Eames-Str. 2D-79576 Weil am ReinT +49.7621.702.3200F +email@example.com
Daily 10 am – 6 pmThe museum is open on Sundays and on all public holiday.
12.03.2016 – 29.01.2017Vitra Design Museum
10.06.2016 – 09.10.2016Vitra Design Museum Gallery
04.06.2016 – 17.11.2016Schaudepot
21.03.2016 - 28.08.2016,CCCB Barcelona, Spanien
29.06.2016 - 11.09.2016,MAAT, Museum of Art, Architecture and TechnologyLissabon, Portugal
26.11.2015 - 01.05.2016Grassimuseum Leipzig, Leipzig, Deutschland
The collection of the Vitra Design Museum ranks among the most important holdings of furniture design worldwide. It contains some 7000 pieces of furniture, a vast assemblage of lighting objects and numerous archives, as well as the estates of such designers as Charles & Ray Eames, Verner Panton and Alexander Girard. On 4 June 2016 opens the Vitra Schaudepot, created by the architectural firm Herzog & de Meuron, in which the Vitra Design Museum presents key pieces of its collection.
Guided tours through the Vitra Schaudepot:
Highlights from the CollectionFrom 4 June 2016, 4 pm dailyBehind the Scenes22 July, 19 August 20163 pm
Vitra Design Museum + Schaudepot17,00 € / 15,00 €Vitra Design Museum or Schaudepot11,00 € / 9,00 €Guided tours 1h (Architecture or Exhibition tour) 7,00 € / 5,00 €Family ticketsVitra Design Museum + Schaudepot: 49 €Vitra Design Museum or Schaudepot: 31 €2 adults + 1 child, further children free of charge. Children under12 years of age free.Reduced prices: young people from age 12, students, seniors,disabled persons, groups of more than 10 people, cominationof 3 and more tickets/person.
SchaudepotThe first Schaudepot temporary exhibition is dedicated to Radical Design, a design Movement that reached its peak at the end of the 1960s and the beginning of the 1970s in Italy and is one of the most important avant-garde movements in the history of design. With manifestos, unconventional design vocabulary, transdisciplinary working methods and utopian design ideas, exponents of Radical Design were protesting against functionalism and the established taste in design and architecture. Thus, they showed that designers and architects must not only be seen as service providers in a commercial context but that they can also actively and critically engage in social and political matters. More
SchaudepotThe Schaudepot was initiated with the goal of making the constantly growing collection of the Vitra Design Museum more accessible to the public. The cornerstone for the collection was laid by the museum’s founder Rolf Fehlbaum. In the 1980s he assembled a collection of furniture, which he transferred to the Vitra Design Museum upon its founding in 1989. Ever since, the collection has been expanded by the museum’s directors Alexander von Vegesack (1989 to 2010) and Mateo Kries and Marc Zehntner (since 2011) together with Rolf Fehlbaum and now numbers among the largest of its kind.Today the collection of the Vitra Design Museum encompasses a total of around 20 000 objects. The core is formed by the furniture holdings, with some 7000 pieces covering almost all important epochs and protagonists of design from 1800 to the present. A second focal point is the lighting collection, which contains more than 1000 objects by such designers as Gino Sarfatti, Achille Castiglioni, Serge Mouille or Ingo Maurer. Further holdings include electrical appliances, architectural models and textiles as well as objects of everyday use. The museum’s archive comprises about 100 000 units, including several significant estates, such as those of Charles & Ray Eames, Verner Panton and Alexander Girard. The goal of the collection is to document the past and present of the interior and foster research in a broader context. More
Vitra Design Museum GalleryThe designer duo Desiree Heiss und Ines Kaag have been collaborating on transdisciplinary projects under the Bless label since 1997. Their objects and products mix art and design, fashion and architecture, and business and social practice. For the project »Workout« they will transform the Vitra Design Museum Gallery into an experimental space that actively confronts visitors with their digital works environment. Bless’s creations are a humorous and original take on how keep fit while at work, which may even change our ideas about how we work in the future. More
Vitra Design MuseumAlexander Girard (1907– 1993) was one of the most important modern textile artists and interior designers of the twentieth century. He worked closely with such designers as Charles Eames and George Nelson and combined Pop Art and Folk Art influences to create a colourfully opulent aesthetic language whose impact continues to be felt today. Girard’s most well-known interiors include the Irwin Miller House in Columbus, Indiana (1953, architect: Eero Saarinen), his own home in Santa Fe (from 1953) and the restaurants La Fonda Del Sol (1960) and L’Etoile (1966) in New York. In 1965, Girard conceived the entire corporate design for Braniff International Airways, from plane tickets and other printed matter to the lounges and even the airplanes themselves. Over the course of his life, the American designer with Italian roots collected more than 100,000 folk art objects from all over the world, which he regarded as a source of inspiration for his own work but which also served as the basis for spectacular exhibition installations. The first comprehensive retrospective of Girard’s oeuvre in Europe is able to draw on the Vitra Design Museum’s holdings from his private estate, which are being subjected to scholarly documentation and review for the first time in the context of the exhibition. More