11.02. – 14.05.2017

Whether in the form of delivery drones, smart sensors, or Industry 4.0 — in recent years, robotics has found its way into our everyday lives. In the exhibition »Hello, Robot.«, the Vitra Design Museum thoroughly examines the current robotics boom for the first time.

Outdoor installation in the context of the exhibition »Hello, Robot.«

After its premiere at the Victoria & Albert Museum in London, the »Elytra Filament Pavilion« complements the exhibition »Hello, Robot.« on the Vitra Campus. The bionic baldachin is an impressive example of the growing influence of robotics on architecture.


Do you trust Robots? Our exhibition »Hello, Robot.«, opening on 11 February, discusses this question and many more. Find out what else there is to discover on the campus in spring in our new programme.

Learn more
14.01. – 30.04.2017

For this exhibition the architectural collective Assemble and artist Simon Terrill have used archival material from the Royal Institute of British Architects to recreate now demolished »Brutalist« playgrounds in hybrid architectural installations and walk-through sculptures for adults and children.

18.11.2016 – 12.03.2017

Dieter Rams’s designs for Braun are legendary, while his ideas about design are more topical than ever. The Schaudepot exhibition shows Rams’s furniture and electrical appliances, supplemented by an interview in which Rams explains his designs and his design philosophy.

Opening Talk with Herzog & de Meuron

The Schaudepot, built by Herzog & de Meuron, is a permanent and publically accessible home for a large part of the Vitra Design Museum’s furniture collection. Jacques Herzog and Pierre de Meuron talked about the new building and about collecting and exhibiting design together with Rolf Fehlbaum and Mateo Kries.

Find the video here.

The Rehberger-Weg links two countries, two municipalities, two cultural institutions – and countless stories. The path runs between Weil am Rhein and Riehen, between the Fondation Beyeler and the Vitra Campus. Guided by 24 waymarkers created by the artist Tobias Rehberger, walkers can explore a diverse landscape.


More than 400 objects and 200 years of design history: In our Online Collection you will find information about selected objects from the collection, explanatory text and image materials, biographies of designers as well as texts on the history of furniture manufacturers.

02. – 03.03.2017

Artistic freedom, transdiciplinary thinking and societal relevance – all these qualities are not only characteristics of creative economies, but are increasingly in demand in conventional economic systems. The symposium brings together advocates and theoreticians and discusses future scenarios of creative entrepreneurship.

Mo Di Mi Do Fr Sa So


Mon, 27.02.2017
11:00 am
Architekturführung (DE)
Mon, 27.02.2017
11:30 am
Architekturführung (EN)
Mon, 27.02.2017
1:00 pm
Architekturführung (EN)

Coming soon

Fri, 03.03.2017
10:00 Uhr
»It’s not the Economy« – The Renewal of Entrepreneurship Through Culture / SYMPOSIUM (DE/EN)
Fri, 03.03.2017
15:00 Uhr
Behind the scenes / GUIDED TOUR (DE)
Sat, 04.03.2017
10:30 Uhr
ReDesign – Light and Lamps / WORKSHOP (DE)

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Special guided tour

Catch a glimpse behind the scenes of museum work and find out what lies behind the exhibitions of the Vitra Design Museum in this hour-long tour. Join a curator, restorer or director as they show you their place of work as well as the conservation workshop.

Architecture Tours

»Since the Weissenhofsiedlung in Stuttgart in 1927, there has not been a gathering in a single place of a group of buildings designed by the most distinguished architects in the Western world.« Philip Johnson, architectural critic


Discover the unique collection of the Vitra Design Museum! It contains some 7000 pieces of furniture, a vast assemblage of lighting objects and numerous archives, as well as the estates of such designers as Charles & Ray Eames, Verner Panton and Alexander Girard.


The Rehberger-Weg, which is around five kilometers long, links two countries, two municipalities, two cultural institutions – and countless stories. The path runs between Weil am Rhein and Riehen, between the Fondation Beyeler and the Vitra Campus. Guided by «24 Stops», 24 waymarkers created by the artist Tobias Rehberger, walkers can explore a uniquely diverse natural and cultural landscape.

NEW: shuttle service between the Vitra Campus and the Fondation Beyeler


I have no favourite material; anything can be used to create beauty if handled well.

Alexander Girard

Many Designers like collecting objects to create their own visual library.

Raw Edges

A problem of the modernity is that it will solve and it will make easier. I think it’s not about solving, but about developing a culture of being. And then the problems will also shift.

Jurgen Bey

I want to understand how design is connected to life.

Konstantin Grcic

Form must have a content, and that content must be linked with nature.

Alvar Aalto

Design is the appropriate combination of materials in order to solve a problem.

Charles Eames



As part of the research for »Hello, Robot.«, curator Thomas Geisler asked Fiona Raby and Anthony Dunne about their take on the relationship between humans and technology.

Read the interview

The architects of the new Schaudepot, Jacques Herzog und Pierre de Meuron, spoke to director Mateo Kries and Rolf Fehlbaum, Chairman Emeritus of Vitra.

Read the interview

The products and installations created by the design studio Raw Edges are characterised by their playful use of colours and patterns. Raw Edges have made a name for themselves through their work for companies such as Kvadrat, Moroso and Louis Vuitton. They also set in scene »Alexander Girard« for the Vitra Design Museum. Shay Alkalay, one of the partners at Raw Edges alongside Yael Mer, spoke to chief curator Jochen Eisenbrand about the actuality of Girard's work.

Read the interview


The Online Collection includes detailed information about selected objects from the collection and will be expanded continuously in the coming years. Here you won’t just find extensive details about each object, but also explanatory text and image materials, biographies of the most important designers as well as texts on the history of significant furniture manufacturers.