Vitra Design Museum + Schaudepot17,00 € / 15,00 €*Vitra Design Museum 11,00 € / 9,00 €*Schaudepot8,00 € / 6,00 €*Architecture tour 2h14,00 € / 10,00 €* Guided tours 1h (Exhibition tour, Production tour or Behind the Scenes)7,00 € / 5,00 €**Reduced prices: young people from age 12, students, seniors,disabled persons, groups of more than 10 people, combination of 3 and more tickets/person, children under 12 years of age free
Vitra Design MuseumCharles-Eames-Str. 2D-79576 Weil am RheinT +49.7621.702.3200F +firstname.lastname@example.org
Daily 10 am – 6 pm,24 December 10 am – 2 pm. The museum is open on Sundays and on all public holidays.
30.09.2017 – 25.02.2018Vitra Design MuseumDetails
09.09.2017 – 11.02.2018GalleryDetails
30.09.2017 – 25.02.2018SchaudepotDetails
30.09.2017 – 25.02.2018Fire StationDetails
26.10.2017 – 14.04.2018Design Museum GentBelgium
22.12.2017 – 04.03.2018Hangaram Art Museum, SeoulKorea
14.10.2017 – 07.01.2018High Museum of Art, AtlantaUSA
The collection of the Vitra Design Museum ranks among the most important holdings of furniture design worldwide. It contains some 7000 pieces of furniture, a vast assemblage of lighting objects and numerous archives, as well as the estates of such designers as Charles & Ray Eames, Verner Panton and Alexander Girard. On 4 June 2016 the Vitra Schaudepot was opened, created by the architectural firm Herzog & de Meuron, in which the Vitra Design Museum presents key pieces of its collection.
Guided tours through the Vitra Schaudepot:Highlights from the CollectionEvery Friday to Sunday2 pmBehind the Scenes3 pm
Vitra Design Museum + Schaudepot17,00 € / 15,00 €*
Vitra Design Museum 11,00 € / 9,00 €*
Schaudepot8,00 € / 6,00 €*
Architekturführung 2h14,00 / 10,00€*
Führungen 1h (Ausstellung, Produktion oder Blick hinter die Kulissen)7,00 € / 5,00 €*
*Ermäßigungen: Jugendliche ab 12, Studenten, Senioren, Menschen mit Behinderung, Gruppen ab 10 Personen, Kombination von 3 und mehr Tickets/Person, Kinder bis 12 frei
Täglich: 10 – 18 Uhr,am 24.12. 10 – 14 Uhr.Das Museum ist an allen Sonn- und Feiertagen geöffnet.
In the year 2008, the American designer George Nelson (1908-1986) would have celebrated his 100th birthday. To commemorate this occasion, the Vitra Design Museum which also keeps the estates of Nelson, toured the first comprehensive retrospective of his work. Nelson was one of the most influential figures in American design during the second half of the twentieth century. With an architectural degree from Yale, he was not only active in the fields of architecture and design, but was also a widely respected writer and publicist, lecturer, curator, and a passionate photographer. His office produced numerous furnishings and interior designs that became modern classics, including the Coconut Chair (1956), the Marshmallow Sofa (1956), the Ball Clock (1947) and the Bubble Lamps (1952 onwards). As design director at Herman Miller, a leading US manufacturer of modern furniture design, Nelson had a major influence on the product line and public image of the company for over two decades. He played an essential role in bringing the company together with designers such as Charles Eames, Alexander Girard and Isamu Noguchi. Early on, Nelson was convinced that design should be an integral part of a company's philosophy, and by promoting this viewpoint, he also became a pioneer in the areas of business communication and corporate design. As an architect, designer and writer, Nelson was deeply interested in the topics of domestic living and interior furnishings. In the bestselling book Tomorrow's House (1945, co-authored with Henry Wright), he articulated the groundbreaking concept of the "storagewall". Moreover, Nelson designed several private homes, including a New York town house for Sherman Fairchild (1941, together with William Hamby) and Spaeth House on Southampton beach (1956, together with Gordon Chadwick). As a committed proponent of industrial building methods, Nelson published numerous texts on the topic of prefabricated architecture. In the 1950s he developed the "Experimental House", a modular system of cubic volumes with Plexiglas roof domes which owners could assemble into personal habitations according to their own spatial requirements. In addition to his preoccupation with architecture and the domestic interior, Nelson intently pursued the topic of office furnishings. Besides designing the first L-shaped desk, he played a major role in the development of Herman Miller's Action Office, and in the 1970s he created his own office system, Nelson Workspaces. The extraordinary diversity of design tasks taken on by the Nelson office extends far beyond the field of furniture design, although the latter forms the basis of his reputation today. Numbering among his clients were many large corporations including Abbott, Alcoa, BP, Ford, Gulf, IBM, General Electric, Monsanto and Olivetti, as well as the United States government. In his New York office, which he established in 1947 and ran for more than three decades, Nelson employed over fifty people at times, including familiar figures such as Ettore Sottsass and Michael Graves. Along with exhibitions, restaurant interiors and showrooms, George Nelson & Company designed kitchens, flatware and dishes, record players and speakers, birdhouses and weathervanes, computers and typewriters, company logos and packaging, rugs and tiles.
Exhibition tour15.07.2014 - 18.09.2014, Meguro Museum of Art, Tokyo, Japan17.03.2014 - 02.06.2014, Hong Kong Design Institute, Hong Kong03.08.2013 - 02.11.2013, Powerhouse Sydney, Australia05.11.2012 - 02.02.2013, Yale University Art Gallery, New Haven, USA16.06.2012 - 14.10.2012, Cranbrook Art Museum, Bloomfield Hills, USA29.10.2011 - 12.02.2012, Bellevue Art Museum, Seattle, USA 06.06.2011 - 11.09.2011, McNay Art Museum, San Antonio, USA03.02.2011 - 08.05.2011, Oklahoma Art Center, Oklahoma, USA25.06.2009 - 29.11.2009, Fundacion Pedro Barrie de la Maza, A Coruna, Spain12.09.2008 - 03.05.2009, Vitra Design Museum, Weil am Rhein, Germany